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Roger Vadim Plemiannikov

Roger Vadim Plemiannikov

Male 1928 - 2000  (72 years)   Has 2 ancestors and one descendant in this family tree.


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  • Name Roger Vadim Plemiannikov 
    Birth 26 Jan 1928  Paris, Paris, Île-de-France, République française Find all individuals with events at this location 
    Gender Male 
    FamilySearch ID G4CR-Z7P 
    Death 11 Feb 2000  Paris, Paris, Île-de-France, République française Find all individuals with events at this location 
    Headstones Submit Headstone Photo Submit Headstone Photo 
    Headstones Submit Headstone Photo Submit Headstone Photo 
    Person ID I116823  mytree
    Last Modified 25 Feb 2024 

    Father Igor Nikolaevich Plemiannikov 
    Mother Marie-Antoinette Ardilouze 
    Family ID F34556  Group Sheet  |  Family Chart

    Family 1 Living 
    Children 
     1. Living
    Family ID F34533  Group Sheet  |  Family Chart
    Last Modified 6 Mar 2025 

    Family 2 Annette Susanne Stroyberg,   b. 7 Dec 1936, Rynkeby, Odense, Kongeriget Danmark Find all individuals with events at this locationd. 12 Dec 2005, København, Hovedstaden, Kongeriget Danmark Find all individuals with events at this location (Age 69 years) 
    Marriage 17 Jun 1958 
    Divorce 14 Mar 1961 
    Family ID F34555  Group Sheet  |  Family Chart
    Last Modified 6 Mar 2025 

  • Event Map
    Link to Google MapsBirth - 26 Jan 1928 - Paris, Paris, Île-de-France, République française Link to Google Earth
    Link to Google MapsDeath - 11 Feb 2000 - Paris, Paris, Île-de-France, République française Link to Google Earth
     = Link to Google Earth 

  • Notes 
    • He was a French screenwriter, film director and producer, as well as a n a uthor, artist and occasional actor. His best-known works are visuall y lav ish films with erotic qualities, such as And God Created Woman (195 6), Ba rbarella (1968), and Pretty Maids All in a Row (1971).

      Corneliu Vadim Tudor chose his middle name and pseudonym after Roger Vad i m.

      Early life
      Roger Vadim Plemiannikov was born in Paris. His father, Igor Nikolaevi c h Plemiannikov, a White Russian military officer and pianist, had emigr at ed from Ukraine and became a naturalized French citizen, and was a vic e c onsul of France to Egypt, stationed in Alexandria. His mother, Marie- Anto inette (née Ardilouze), was a French writer and essayist. Although V adi m lived as a diplomat's child in Northern Africa and the Middle Eas t in h is early youth, the death of his father, when Vadim was nine year s old, c aused the family to return to France, where his mother found wor k runnin g a hostel in the French Alps, which was functioning as a way-st ation fo r Jews and other fugitives fleeing Nazism.

      Vadim studied journalism and writing at the University of Paris, witho u t graduating.

      Film career
      At age 19, he became assistant to film director Marc Allégret, whom he m e t while working at the Theatre Sarah Bernhardt, and for whom he worke d o n several screenplays. He was an assistant director on Allegret's Bla nch e Fury (1948), a commercially unsuccessful melodrama which Allegret m ad e for a British company in English.

      Vadim was one of several writers on Allegret's French-British The Nake d H eart (1950), aka Maria Chapdelaine, starring Michèle Morgan, as wel l as s erving as assistant director. It was shot in French and English ve rsions . Blackmailed (1951) was another film Allegret directed in England , starr ing Mai Zetterling and Dirk Bogarde; Vadim was credited as one o f the wri ters. He was also one of several writers on Allegret's, La demo iselle e t son revenant (1952).

      Vadim did the screenplay and commentary for a documentary, Le gouffr e d e la Pierre Saint-Marti (1953) and was assistant director on Allegret 's J ulietta (1953), a popular romance with Jean Marais, Dany Robin and J eann e Moreau. Vadim wrote Allegret's Loves of Three Queens (1954), wit h Hed y Lamarr.

      Vadim had begun a relationship with model-actress Brigitte Bardot. She w a s given in a good role in a drama directed by Allegret, School for Lov e ( 1953), aka Futures Vendettes, starring Jean Marais; Vadim wrote the s crip t with Allegret. The film was a commercial disappointment.

      However the next collaboration between Allegret, Bardot and Vadim, Pluck i ng the Daisy (1956), aka Mam'selle Striptease, was a huge success at t h e French box office. So too was Naughty Girl (1956), with Bardot. Thi s al lowed Vadim to get backing for his first movie as director.

      Vadim's first film as director was based on an original story of his, A n d God Created Woman (1956). Starring Bardot, Curt Jurgens and Christia n M arquand, it was not only a major success in France, but around the wo rld , and established Bardot as a world icon.

      Vadim followed it with No Sun in Venice (1957) starring Françoise Arno u l and Marquand, which was considerably less popular than And God Creat e d Woman. More popular was The Night Heaven Fell (1958), starring Bardo t a nd Stephen Boyd. He was one of several writers on Allegret's popula r come dy, Be Beautiful But Shut Up (1958), starring Mylène Demongeot.

      Vadims's next film was an adaptation of the book Les liaisons dangereus e s (1959), which he wrote and directed. It starred Moreau, Gérard Phili p e (in his final film) and Annette Stroyberg, a Danish model who becam e Va dim's second wife. The film became a huge hit in France.

      Stroyberg was also in the vampire film Blood and Roses (1960). They divo r ced shortly afterwards.

      Vadim was reunited with Bardot for Please, Not Now! (1961), a popular co m edy. He was one of several directors of the anthology film,The Seven De ad ly Sins (1962).

      Vadim began a relationship with a young Catherine Deneuve. She starre d i n a segment of the anthology film Tales of Paris (1962), which was wr itte n by Vadim and directed by Allegret. She starred in a film Vadim hel ped w rite and produce, And Satan Calls the Turns (1962), and was also Vi ce an d Virtue (1963), which Vadim directed.

      Vadim had another success writing and directing for Bardot, Love on a Pi l low (1962), but found less favour with Nutty, Naughty Chateau (1963) st ar ring Monica Vitti.

      Vadim tried another adaptation of a classic erotic text, La Ronde (1964 ) . He said at the time, "When I make a picture about relations between p eo ple, something erotic comes through; I can't help it! But sex has bee n a n inspiration, the greatest inspiration, since art exists." One of th e fi lm's many stars was rising American actress Jane Fonda who began a r omant ic relationship with Vadim.

      Vadim devised a vehicle for Fonda, The Game Is Over (1966), based on a b o ok by Émile Zola. Shot in French and English versions, it was very popu la r in France, though less so in the US.

      Dino de Laurentiis wanted Fonda to star in a science fiction sex comed y , Barbarella (1968) and she agreed provided Vadim could direct. Followi n g this he directed Fonda in a segment of the omnibus horror film Spiri t s of the Dead (1968) along with her brother Peter Fonda.

      During his marriage to Fonda, Vadim would accompany her back to the US p e riodically while she made movies there. He and Fonda broke up and Vadi m d irected Pretty Maids All in a Row (1971) for MGM, starring Rock Hudso n an d Angie Dickinson. It was a commercial disappointment.

      Vadim returned to France. He wrote and directed Hellé (1972), starring G w en Welles, which was a flop. He was reunited with Bardot for Don Juan , o r If Don Juan Were a Woman (1973), which was Bardot's penultimate mov ie a nd a commercial disappointment.

      Not particularly successful either were Charlotte (1974), and Game of Se d uction (1976) with Sylvia Kristel and Nathalie Delon. He directed a T V mo vie Bonheur, impair et passe (1977), starring Danielle Darrieux.

      In the 1980s Vadim based himself in the US. He directed Night Games (198 0 ), where he attempted to make a star of Cindy Pickett, with whom he bec am e romantically involved. He directed a caper film in Canada, The Hot T ouc h (1981), starring Marie-France Pisier. Back in France he wrote and d irec ted Surprise Party (1983). He directed episodes of Faerie Tale Theat re (1 984) and Deadly Nightmares (1986).

      Vadim attempted to recapture his former success with a new version of A n d God Created Woman (1988), with Rebecca de Mornay. Very different fro m t he original – it only really used the same title – it failed critical ly a nd commercially.

      His final years were spent working in TV, where he directed Safari (199 1 ) and wrote and directed Amour fou (1993), starring Marie-Christine Bar ra ult who became his final wife. She was also in directed La Nouvelle tr ib u (1996) and its sequel Un coup de baguette magique (1997), which Vadi m w rote and directed.

      Personal life
      Romances
      Vadim was famous for his romances/marriages to beautiful actresses. In h i s mid-30s, he lived with the teenaged Catherine Deneuve, by whom he h a d a child, Christian Vadim, prior to his marriage to Fonda. He was als o i nvolved with American actress Cindy Pickett. Later, he cohabited wit h scr eenwriter Ann Biderman for several years, announcing their engageme nt i n 1984, but the couple never wed.

      He told a story about how he lost his virginity at age 16 when he spen t t he summer in Normandy. An older girl took a fancy to him. Outdoors th at n ight, she introduced him to the art of love and what amazed him mos t wa s that what Hemingway had written came true: "the earth moved unde r him. " Not until somewhat later did he realize that Allied ships were b ombardi ng the coast in preparation for the D-Day invasion.

      Marriages
      Brigitte Bardot, 20 December 1952 – 6 December 1957 (divorced)
      Annette Stroyberg, 17 June 1958 – 14 March 1961 (divorced); 1 daughter ( N athalie)
      Jane Fonda, 14 August 1965 – 16 January 1973 (divorced); 1 daughter (Van e ssa)
      Catherine Schneider, 13 December 1975 – 10 June 1977 (divorced); 1 son ( V ania)
      Ann Biderman, Partner (engaged but never wed), California
      Marie-Christine Barrault, 21 December 1990 – 11 February 2000 (his death)
      He also had two stepsons from his marriage to Schneider (heiress to th e S chneider-Creusot steel and armaments firm) as well as adult stepchild re n from Barrault's first marriage to Daniel Toscan du Plantier, als o a fri end of Vadim's, who called him "a happy man. He was someone in wh om ther e was so much satisfaction to the end of his life. The films mere ly refle cted his happiness." Nathalie, his eldest child, told Fonda biog rapher Pa tricia Bosworth: "Jane was the love of my father's life."

      Writing
      In addition to Vadim's theatre and film work, he also wrote several book s , including the memoirs "Memoires du Diable", "Le Gout du Bonheur: Souv en irs 1940–1958" and an autobiography, D'une étoile à l'autre (From On e Sta r to the Next) as well as a tell-all about his most famous exes, Ba rdot , Deneuve & Fonda: My Life with the Three Most Beautiful Women in th e Wor ld, published in 1986. "My attitude is that if this book makes m e a littl e money it will be a tiny compensation for all the money I help ed those a ctresses make", Vadim explained. He also wrote several plays a nd books o f fiction, including L'Ange Affame.

      Death
      Vadim died of cancer at age 72 on 11 February 2000. He was survived by h i s widow, Marie-Christine Barrault, and his four children (Nathalie, Van es sa, Christian and Vania). Ex-wives Bardot, Fonda, Schneider and Stroyb er g were all in attendance at his funeral. He is interred at St. Trope z Cem etery.